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Last updated 05:00, November 27 2017
Antique treasures and pop art elements amalgamate in Patrick Crawshaw’s adequate Russell cottage.
It’s as if time has stood still in Patrick Crawshaw’s Bay of Islands home, congenital for Russell’s harbour adept about 100 years ago.
“When I arrived, the abode looked as if the antecedent owners had aloof arranged up in 1970 and absolved out the door. There were clothes in the wardrobe, appliance in the apartment and newspapers on the table – there was alike aliment in the kitchen.”
Even afterwards bartering autogenous artist Patrick’s accurate advance – he’s 18 months into a action that he thinks will booty at atomic three years – the kitchen and ablution abode still accept a quaint, museum-like feel. That’s at atomic partly due to his best of 1960s appliances, all sourced via Trade Me.
Patrick Crawshaw on the north-facing verandah, which has angle over Russell.
“The refrigerator is from 1963 and the gas cooker from 1965,” he says. “Appliances from that era were congenital to aftermost forever. Some bodies may see them as impractical, but hopefully I’ll never accept to alter them – bold I can get parts.”
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Authenticity is at the top of Patrick’s antecedence list. Heat pumps are out; he’s reinstated the old cast-iron radiators instead.
Patrick activate the hand-tinted account of Queen Elizabeth in a London clutter shop; the mantelpiece is accomplished in Porter’s Paints ‘Aniseed’ with a wax finish, and the brownish gold acrylic is from Resene.
“I appetite bodies to appear into the abode and to anticipate that it has consistently been like this – that the fridge has been there back the aboriginal 60s, or the wallpaper in my bedchamber has been there for 100 years. To get addition advancing in and saying, ‘I adulation your wallpaper, it’s in such acceptable condition,’ that’s the ultimate compliment.”
Patrick has acclimated rich, aphotic colours and favours wallpaper for a textured backdrop. But he’s played with a mix of altered bank coverings – paint, tiles and copse panelling, and has alike blood the walls of the abstraction with pages from an old concordance and acclimated upholstery cottony in the active room.
“I can’t buck analogous things, it’s so addled and boring,” he says. “I adulation bond things up, putting abreast with Victorian, art deco with Georgian, to see how they chronicle to anniversary other.”
The abstruse to aggregate eras and styles is accepting the antithesis right, he says. If you go too far either way, you end up with either one or the other, aged or modern.
The ceramics bore is new. JANE USSHER
To illustrate, Patrick credibility to the colourful screenprint of Jackie Onassis that hangs aloft the walnut piano.
“The brace of 1960s lamps is American, as is Jackie O. The book is by Warhol, who was from New York, area I bought the lamps abounding years ago. The piano is Victorian and the set of six candles are Cire Trudon, from France, the oldest candle makers in the world.
The ablaze applicable aloft the kitchen island is fabricated from a decayed old sheep agriculturalist Patrick activate in a field.
“So you accept altered styles, periods and countries alive together. I adulation able contrasts, and there’s a lot of adverse activity on in that collection.”
Patrick refuses to be bound by practicality. “I black-lacquered the floors, which is possibly the best abstract affair you could do, artlessly because I like it. I hear, ‘Oh god, they charge aggregate dust,’ but I don’t care. I don’t architecture article because it ability booty beneath time to dust. It’s alarming to alpha cerebration like that because that way leads to mediocrity.”
The piano has sat in this atom back 1920; the encyclopedias are from the backward 1700s and were bought at a book auction; Patrick activate the Chesterfield on the ancillary of the alley and had it reupholstered in velvet.
Borders about the floors ascertain the apartment or spaces. “That’s an Anouska Hempel thing,” explains Patrick. When he lived in London, Patrick formed for New Zealand-born Anouska, a British artist best accepted for creating Blakes bazaar auberge in South Kensington. Now he’s applying his autogenous architecture abilities locally, including assignment on the Duke of Marlborough Auberge and a afresh opened bazaar hotel, Donkey Bay Inn.
Almost aggregate in Patrick’s home comes with a claimed story, whether it’s his grandfather’s alarm that sits beside his bed, or the Chesterfield couch he activate on an Auckland artery and had reupholstered in velvet.
“Any abode you alive care to reflect your personality,” he says. “The added you can go with that, with items from your accomplished and things that arm-twist admirable memories, you activate to not aloof actualize a abode or a home, your actual body is in the place.”
In the abutting bristles years, he’s attractive advanced to seeing the blooming and white garden he’s buried appear into its own. “A white-flowered garden anchorage your choices but it’s adventurous and simplistic.”
Patrick grew up in Northland’s Matauri Bay and says his appetite to acknowledgment to New Zealand from the UK afterwards 25 years has added acceptation – partly because of what he has created here. He feels he has rescued an important allotment of Russell’s heritage.
“For me, it’s all appear abounding circle,” he says. “It’s such a admirable abode to be. I’m abiding I’ll alive in added houses, but I achievement I’ll never advertise this one because it agency so abundant to me.”
I’M DECORATING THE CHRISTMAS TREE WITH: One colour – white – and lights.
REAL TREE OR FAKE: Real, of course.
THE FIRST THING I DO ON CHRISTMAS MORNING: It acclimated to be a Buck’s Fizz, but now it’s tea.
THE THING I MISS ABOUT AN ENGLISH CHRISTMAS: The snow and faculty of occasion.
BEST PIECE OF ADVICE I EVER RECEIVED: Was from Anouska Hempel: “Design and afresh clarify and afresh clarify again.”
BEST BUDGET IDEA: Mix big-ticket items with added affordable ones – the big-ticket pieces will drag all else.
FAVOURITE LOCAL RESTAURANTS: The Gables and Hone’s Garden for the best wood-fired pizzas.
Patrick congenital a new ablution house in a appearance that’s accurate to the home’s origins, installing an old zinc tub and a 1960s abrasion apparatus with a wringer. JANE USSHER
– NZ Abode & Garden
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